Contact St Lou Fringe:

314-643-7853(STLF)
buzz@stlfringe.com

For artist or audience inquiries, or to donate your time or in-kind services, contact Fringe staff at the info above.
Donations made to St Lou Fringe allow us to provide a professional structure, so that brave artists can go to town.
Support for the festival Helps Make Fringe, by ensuring that 100% of ticket sales can go directly to the working artists.
Checks may be made payable to “St Lou Fringe.”  STLF is eligible for tax-exempt donations - inquire about our Fiscal Sponsorship arrangement.

Contact St Lou Fringe:

314-643-7853(STLF)

buzz@stlfringe.com

For artist or audience inquiries, or to donate your time or in-kind services, contact Fringe staff at the info above.

Donations made to St Lou Fringe allow us to provide a professional structure, so that brave artists can go to town.

Support for the festival Helps Make Fringe, by ensuring that 100% of ticket sales can go directly to the working artists.

Checks may be made payable to “St Lou Fringe.”  STLF is eligible for tax-exempt donations - inquire about our Fiscal Sponsorship arrangement.



Mission:

St Lou Fringe connects cutting edge performing arts with accessible, affordable performances for audiences.  St Lou Fringe supports established and emerging artists by providing a professional setting to showcase their work.  St Lou Fringe seeks to promote developing neighborhoods as opportune space for creative and economic growth.  St Lou Fringe builds community by connecting brave artists with bold audiences. 
  
   


St. Lou Fringe seeks to connect brave artists and bold audiences.  St. Lou Fringe is a network and place for information sharing that holds to heart the fundamental nature of Fringe: 100% Unjuried, 100% Uncensored, 100% Accessible.
We celebrate and showcase those artists and audiences annually with the St. Lou Fringe Festival.






     
St. Lou Fringe is…

100% Unjuried.  Following the model of other successful Fringe Festivals, we select our participants on a first-come first-served basis. 
100% Uncensored.  Anyone and everyone, from the truly avante-garde to the passionately traditional, may submit their work.  STLF does not question, critique, pre-select, or otherwise contrive the content of any submissions. 

100% Accessible.  St. Lou Fringe is dedicated to providing an outlet for all interested performing artists of all backgrounds.  STLF will work with the special and exceptional cases of artists and audiences to ensure that every aspect of our community is embraced and served. 

Returns 100% of ticket sales to artists.  With the majority going to the on-stage artists, and the rest going to the off-stage artists who made the festival happen, St. Lou Fringe is proud to foster the creative economy.

St. Lou Fringe was incorporated as a non-profit in the state of Missouri in November 2011.
To follow our journey through Fringeland, check out our blog.
www.stlfringe.blogspot.com
Mission:

St Lou Fringe connects cutting edge performing arts with accessible, affordable performances for audiences.  St Lou Fringe supports established and emerging artists by providing a professional setting to showcase their work.  St Lou Fringe seeks to promote developing neighborhoods as opportune space for creative and economic growth.  St Lou Fringe builds community by connecting brave artists with bold audiences. 

  

   

  • St. Lou Fringe seeks to connect brave artists and bold audiences.  St. Lou Fringe is a network and place for information sharing that holds to heart the fundamental nature of Fringe: 100% Unjuried, 100% Uncensored, 100% Accessible.

  • We celebrate and showcase those artists and audiences annually with the St. Lou Fringe Festival.
     
St. Lou Fringe is…
  • 100% Unjuried.  Following the model of other successful Fringe Festivals, we select our participants on a first-come first-served basis.

  • 100% Uncensored.  Anyone and everyone, from the truly avante-garde to the passionately traditional, may submit their work.  STLF does not question, critique, pre-select, or otherwise contrive the content of any submissions.

  • 100% Accessible.  St. Lou Fringe is dedicated to providing an outlet for all interested performing artists of all backgrounds.  STLF will work with the special and exceptional cases of artists and audiences to ensure that every aspect of our community is embraced and served.

  • Returns 100% of ticket sales to artists.  With the majority going to the on-stage artists, and the rest going to the off-stage artists who made the festival happen, St. Lou Fringe is proud to foster the creative economy.

St. Lou Fringe was incorporated as a non-profit in the state of Missouri in November 2011.

To follow our journey through Fringeland, check out our blog.

www.stlfringe.blogspot.com


What’s The Fringe?
 
“Very generally speaking, Fringes are…

Focused on the performing arts: Theater, dance, puppetry, spoken word and the like make up the Fringe core, but festivals often may include film and visual arts elements. Fringes don’t have a focus on a single discipline or genre, but are a performing-arts smörgåsbord
Uncensored: No one gets too fussy about swears or nudity but squeaky-clean content isn’t marginal or discouraged, either
Easy to participate in: Ticket prices are low for audiences and production fees are low for artists…[productions are] generally quite open to participation by the gamut of amateurs to professionals
Festivals: They last from just a few days to a few weeks and involve boatloads of people at multiple venues
Original: Fringes feature a huge array of original material—sometimes by design, but usually because that’s what Fringes naturally do well
Rapid-fire: Typically, tech is minimal and time is a factor at our festivals. Shows are often kept brief (Fringes most frequently have shows right around 60 minutes in length) and technical requirements kept simple (minor sets, streamlined cues, nothing elaborate)

It all started in 1947 in Edinburgh, Scotland, as an alternative festival that played concurrently with the Edinburgh International Festival. In 1948, Robert Kemp, a local journalist, gave it the name Fringe: “Round the fringe of official Festival drama, there seems to be more private enterprise than before…” 
-United States Association of Fringe Festivals

The Canadian Association of Fringe Festivals states that Fringes “…provide all artists, emerging and established, with the opportunity to produce their play no matter the content, form or style and to make the event as affordable and accessible as possible for the members of the community.”
What’s The Fringe?
 
“Very generally speaking, Fringes are…
  • Focused on the performing arts: Theater, dance, puppetry, spoken word and the like make up the Fringe core, but festivals often may include film and visual arts elements. Fringes don’t have a focus on a single discipline or genre, but are a performing-arts smörgåsbord

  • Uncensored: No one gets too fussy about swears or nudity but squeaky-clean content isn’t marginal or discouraged, either

  • Easy to participate in: Ticket prices are low for audiences and production fees are low for artists…[productions are] generally quite open to participation by the gamut of amateurs to professionals

  • Festivals: They last from just a few days to a few weeks and involve boatloads of people at multiple venues

  • Original: Fringes feature a huge array of original material—sometimes by design, but usually because that’s what Fringes naturally do well

  • Rapid-fire: Typically, tech is minimal and time is a factor at our festivals. Shows are often kept brief (Fringes most frequently have shows right around 60 minutes in length) and technical requirements kept simple (minor sets, streamlined cues, nothing elaborate)

It all started in 1947 in Edinburgh, Scotland, as an alternative festival that played concurrently with the Edinburgh International Festival. In 1948, Robert Kemp, a local journalist, gave it the name Fringe: “Round the fringe of official Festival drama, there seems to be more private enterprise than before…” 

-United States Association of Fringe Festivals

The Canadian Association of Fringe Festivals states that Fringes “…provide all artists, emerging and established, with the opportunity to produce their play no matter the content, form or style and to make the event as affordable and accessible as possible for the members of the community.”

St. Lou Fringe feeds your fancy.
 The St. Lou Fringe Festival is a 5-day long immersion in cutting edge performing arts, connecting brave artists with bold audiences.        Imagine popping into several shows of your choice in downtown St. Louis, ranging from traditional to experimental theater, from Shakespeare to musical theater, but also including dance, movement, improv, music, voice, slam/spoken word, performance art, fashion, vaudeville, burlesque, mime, clowning, circus arts, - all concentrated within several city blocks.        Passionate artists from around St. Louis and the country will converge to create a fully immersive and explosive pressure cooker of artistic expression. On any given night, there are half-a-dozen shows on rotating schedules with street performers (or “buskers”) roaming the festival grounds, entertaining crowds with fire dancing, aerial arts, music, poetry, guerrilla theater, urban break-dancing, capoeira juggling, comedy, street improv,or anything else one’s heart desires. Patrons can vote for their favorite shows but will never be able to see everything the festival offers.        A minimal admission fee at Festival Headquarters will give a patron a Button Pass and a Schedule/Map to see as many as a hundred different performances by varied artists within a 3-4 block radius over the course of a long weekend. St. Lou Fringe Festival will blossom a humble St. Louis street into a creative hotspot destination within the city, and will open the eyes of St. Louisans to a wealth of undiscovered local talent, new work from national companies, new art forms, and the limitless world of creative possibility.
__________________________________  ________  __________ ___
How To Fringe3 easy steps.
Step 1: Buy Button.The Fringe button is your all-access pass to every show and event that the Festival has to offer, and more.
For a minimum donation of $4, you can purchase tickets to any Fringe show, get free entrance to the Fringe parties, and get discounts from local Fringe Friendly companies.  The button system allows us to put on the festival and still return 100% of ticket sales to artists.
Buttons can be purchased at Fringe Central and at select Fringe Friendly locations prior to or at the festival, or online.
No Button? No Show Entry.  No Exceptions.  No Dice.
Step 2: Get Your Tix.Peruse the 30 performance descriptions, check out what’s playing at each of our three Fringe Venues, and pick your poison.  Artists price their own shows, so ticket prices vary but are never more than $12.  Doors open 30 minutes before showtime.  Tickets can be purchased at Fringe Central, at the venue, or online.  One ticket per button.  Because of the nature of ticket sale returns to artists, no package deals are available at this time.  No refunds after the show begins.
Step 3: Rock the Fringe.Vote for your favorite shows, bring friends to the ones you like and enemies to the ones you hate, and have a ball.  That’s what it’s all about, after all.
Want even MORE Fringe?100+ shows, 3 venues, and a couple city blocks just ain’t enough for ya?  If you just can’t get enough of the juice, come hang out at Fringe Central, grab some grub in the Food Truck Lot, or check out the Fringe-de-Fringe street performances and sideshow venues throughout the district.
Why Fringe?It’s just a good thing to do. Fringe by nature fosters independent artists, exposes audiences to new work, stimulates economic growth and supports the creative community. By making performing arts visible, available and affordable, the festival supports local arts year-round. St. Lou Fringe serves our community by connecting the brave and the bold: artists, audiences, businesses and civic organizations.

St. Lou Fringe feeds your fancy.

 The St. Lou Fringe Festival is a 5-day long immersion in cutting edge performing arts, connecting brave artists with bold audiences.
       
Imagine popping into several shows of your choice in downtown St. Louis, ranging from traditional to experimental theater, from Shakespeare to musical theater, but also including dance, movement, improv, music, voice, slam/spoken word, performance art, fashion, vaudeville, burlesque, mime, clowning, circus arts, - all concentrated within several city blocks.
       
Passionate artists from around St. Louis and the country will converge to create a fully immersive and explosive pressure cooker of artistic expression. On any given night, there are half-a-dozen shows on rotating schedules with street performers (or “buskers”) roaming the festival grounds, entertaining crowds with fire dancing, aerial arts, music, poetry, guerrilla theater, urban break-dancing, capoeira juggling, comedy, street improv,or anything else one’s heart desires. Patrons can vote for their favorite shows but will never be able to see everything the festival offers.
       
A minimal admission fee at Festival Headquarters will give a patron a Button Pass and a Schedule/Map to see as many as a hundred different performances by varied artists within a 3-4 block radius over the course of a long weekend. St. Lou Fringe Festival will blossom a humble St. Louis street into a creative hotspot destination within the city, and will open the eyes of St. Louisans to a wealth of undiscovered local talent, new work from national companies, new art forms, and the limitless world of creative possibility.

__________________________________  ________  __________ ___

How To Fringe
3 easy steps.

Step 1: Buy Button.
The Fringe button is your all-access pass to every show and event that the Festival has to offer, and more.

For a minimum donation of $4, you can purchase tickets to any Fringe show, get free entrance to the Fringe parties, and get discounts from local Fringe Friendly companies.  The button system allows us to put on the festival and still return 100% of ticket sales to artists.

Buttons can be purchased at Fringe Central and at select Fringe Friendly locations prior to or at the festival, or online.

No Button? No Show Entry.  No Exceptions.  No Dice.

Step 2: Get Your Tix.
Peruse the 30 performance descriptions, check out what’s playing at each of our three Fringe Venues, and pick your poison.  Artists price their own shows, so ticket prices vary but are never more than $12.  Doors open 30 minutes before showtime.  Tickets can be purchased at Fringe Central, at the venue, or online.  One ticket per button.  Because of the nature of ticket sale returns to artists, no package deals are available at this time.  No refunds after the show begins.

Step 3: Rock the Fringe.
Vote for your favorite shows, bring friends to the ones you like and enemies to the ones you hate, and have a ball.  That’s what it’s all about, after all.

Want even MORE Fringe?
100+ shows, 3 venues, and a couple city blocks just ain’t enough for ya?  If you just can’t get enough of the juice, come hang out at Fringe Central, grab some grub in the Food Truck Lot, or check out the Fringe-de-Fringe street performances and sideshow venues throughout the district.

Why Fringe?
It’s just a good thing to do. Fringe by nature fosters independent artists, exposes audiences to new work, stimulates economic growth and supports the creative community. By making performing arts visible, available and affordable, the festival supports local arts year-round. St. Lou Fringe serves our community by connecting the brave and the bold: artists, audiences, businesses and civic organizations.


St. Lou Fringe serves your art of choice.


Theatrical performers (actors, playwrights, directors, technicians)


Singers and musicians

Dancers

Performance artists (movement, spoken word, slam)

Stand-Up and improv comedy
Vaudeville (circus, burlesque, mime, clowning)
Fashion and design

Young Audience Performers


Buskers

…yeah.  We want you.

 St. Lou Fringe proudly supports self-producing artists’ growth and potential for success.  100% of proceeds is returned to artists (60% to performing artists and 40% to supporting artists).  Festival producers do not receive any royalties from future performances.
St. Lou Fringe provides unbiased support to all self-producing artists.  In order to do so, STLF does not make any determinations based on content.  Selections are entirely uncensored and unjuried.  Productions are selected on a first-come, first-served basis.  Applications must be filled out correctly and completely to be considered.
 Performance submissions must follow these guidelines:


Performances no longer than 50 minutes


Tech that can be reasonably accommodated


Production fees, if any, (royalties, AEA performance contracts, etc) are the personal cost of the producing artist


Applications accepted no earlier than January 15 and due no later than March 15, 2012


 How it works:

1. You apply. You don’t even have to know for sure what your show is…just that you’re going to commit to doing one. The first 30 applications are accepted (20 local acts, 10 out-of-towners).
2. You decide how many shows: 
   -Two shows for $85
   -Three shows for $115
   -Four shows for $150
                 **Production cost due within five days of your official notice of acceptance into the festival.**
 3.You do your thang, and walk away with 60% of ticket sales at the door.

What does the production fee get you?

Festival branding and marketing/publicity
Performance space, including tech, for 2-4 performances over a 4 day period
Professional staff, house managers, and technicians
Additional benefits for participating productions (discounted access to other productions, access to private parties and events, etc)
A majority of ticket sales at the door

Performance space will be assigned based on technical needs, and lottery if necessary.
Special needs and accommodations will be considered, are addressed professionally, and may be discussed with Festival staff at any time.
St. Lou Fringe serves your art of choice.
  • Theatrical performers (actors, playwrights, directors, technicians)
  • Singers and musicians
  • Dancers
  • Performance artists (movement, spoken word, slam)
  • Stand-Up and improv comedy
  • Vaudeville (circus, burlesque, mime, clowning)
  • Fashion and design
  • Young Audience Performers
  • Buskers

…yeah.  We want you.

 St. Lou Fringe proudly supports self-producing artists’ growth and potential for success.  100% of proceeds is returned to artists (60% to performing artists and 40% to supporting artists).  Festival producers do not receive any royalties from future performances.

St. Lou Fringe provides unbiased support to all self-producing artists.  In order to do so, STLF does not make any determinations based on content.  Selections are entirely uncensored and unjuried.  Productions are selected on a first-come, first-served basis.  Applications must be filled out correctly and completely to be considered.

 Performance submissions must follow these guidelines:

  • Performances no longer than 50 minutes
  • Tech that can be reasonably accommodated
  • Production fees, if any, (royalties, AEA performance contracts, etc) are the personal cost of the producing artist
  • Applications accepted no earlier than January 15 and due no later than March 15, 2012

 How it works:

1. You apply. You don’t even have to know for sure what your show is…just that you’re going to commit to doing one. The first 30 applications are accepted (20 local acts, 10 out-of-towners).

2. You decide how many shows: 

   -Two shows for $85

   -Three shows for $115

   -Four shows for $150

                 **Production cost due within five days of your official notice of acceptance into the festival.**

 3.You do your thang, and walk away with 60% of ticket sales at the door.

What does the production fee get you?

  • Festival branding and marketing/publicity
  • Performance space, including tech, for 2-4 performances over a 4 day period
  • Professional staff, house managers, and technicians
  • Additional benefits for participating productions (discounted access to other productions, access to private parties and events, etc)
  • A majority of ticket sales at the door

Performance space will be assigned based on technical needs, and lottery if necessary.

Special needs and accommodations will be considered, are addressed professionally, and may be discussed with Festival staff at any time.

You can print and email the STLF application  or conveniently apply online to the form below.  Applications are now open.  Deadline is March 15, 2012.

UPDATE: We currently have a waitlist for our *local slots.*  Applications are still being processed in the order they are received.  Artists are welcomed to submit an application to be placed on the waitlist,  We’ll also be providing information soon about Fringe d’ Fringe performances and street-level acts.  *Openings remain for a limited number of national acts.*

Call 314/643-STLF or email us at buzz@stlfringe.com with questions, yo.

Break Through Season       June 21-25, 2012

in partnership with Grand Center and the Locust Business District

CLICK the images to see more.

Click here to read the article about us in the St. Louis Beacon.

And here to read about us in the St. Louis Post-Dispatch.

And here to read about us on Stage Door St. Louis.

Click here to visit our f’bk page.

Flutter us on twitter @StLouFringe

*break through the status quo*

The St. Lou Fringe is a member of the  United States Association of Fringe Festivals.
Click the logo to check it out.

The St. Lou Fringe is a member of the United States Association of Fringe Festivals.

Click the logo to check it out.

Our fabulous sponsors and partners.

Contact St Lou Fringe:

314-643-7853(STLF)
buzz@stlfringe.com

For artist or audience inquiries, or to donate your time or in-kind services, contact Fringe staff at the info above.
Donations made to St Lou Fringe allow us to provide a professional structure, so that brave artists can go to town.
Support for the festival Helps Make Fringe, by ensuring that 100% of ticket sales can go directly to the working artists.
Checks may be made payable to “St Lou Fringe.”  STLF is eligible for tax-exempt donations - inquire about our Fiscal Sponsorship arrangement.

Contact St Lou Fringe:

314-643-7853(STLF)

buzz@stlfringe.com

For artist or audience inquiries, or to donate your time or in-kind services, contact Fringe staff at the info above.

Donations made to St Lou Fringe allow us to provide a professional structure, so that brave artists can go to town.

Support for the festival Helps Make Fringe, by ensuring that 100% of ticket sales can go directly to the working artists.

Checks may be made payable to “St Lou Fringe.”  STLF is eligible for tax-exempt donations - inquire about our Fiscal Sponsorship arrangement.



Mission:

St Lou Fringe connects cutting edge performing arts with accessible, affordable performances for audiences.  St Lou Fringe supports established and emerging artists by providing a professional setting to showcase their work.  St Lou Fringe seeks to promote developing neighborhoods as opportune space for creative and economic growth.  St Lou Fringe builds community by connecting brave artists with bold audiences. 
  
   


St. Lou Fringe seeks to connect brave artists and bold audiences.  St. Lou Fringe is a network and place for information sharing that holds to heart the fundamental nature of Fringe: 100% Unjuried, 100% Uncensored, 100% Accessible.
We celebrate and showcase those artists and audiences annually with the St. Lou Fringe Festival.






     
St. Lou Fringe is…

100% Unjuried.  Following the model of other successful Fringe Festivals, we select our participants on a first-come first-served basis. 
100% Uncensored.  Anyone and everyone, from the truly avante-garde to the passionately traditional, may submit their work.  STLF does not question, critique, pre-select, or otherwise contrive the content of any submissions. 

100% Accessible.  St. Lou Fringe is dedicated to providing an outlet for all interested performing artists of all backgrounds.  STLF will work with the special and exceptional cases of artists and audiences to ensure that every aspect of our community is embraced and served. 

Returns 100% of ticket sales to artists.  With the majority going to the on-stage artists, and the rest going to the off-stage artists who made the festival happen, St. Lou Fringe is proud to foster the creative economy.

St. Lou Fringe was incorporated as a non-profit in the state of Missouri in November 2011.
To follow our journey through Fringeland, check out our blog.
www.stlfringe.blogspot.com
Mission:

St Lou Fringe connects cutting edge performing arts with accessible, affordable performances for audiences.  St Lou Fringe supports established and emerging artists by providing a professional setting to showcase their work.  St Lou Fringe seeks to promote developing neighborhoods as opportune space for creative and economic growth.  St Lou Fringe builds community by connecting brave artists with bold audiences. 

  

   

  • St. Lou Fringe seeks to connect brave artists and bold audiences.  St. Lou Fringe is a network and place for information sharing that holds to heart the fundamental nature of Fringe: 100% Unjuried, 100% Uncensored, 100% Accessible.

  • We celebrate and showcase those artists and audiences annually with the St. Lou Fringe Festival.
     
St. Lou Fringe is…
  • 100% Unjuried.  Following the model of other successful Fringe Festivals, we select our participants on a first-come first-served basis.

  • 100% Uncensored.  Anyone and everyone, from the truly avante-garde to the passionately traditional, may submit their work.  STLF does not question, critique, pre-select, or otherwise contrive the content of any submissions.

  • 100% Accessible.  St. Lou Fringe is dedicated to providing an outlet for all interested performing artists of all backgrounds.  STLF will work with the special and exceptional cases of artists and audiences to ensure that every aspect of our community is embraced and served.

  • Returns 100% of ticket sales to artists.  With the majority going to the on-stage artists, and the rest going to the off-stage artists who made the festival happen, St. Lou Fringe is proud to foster the creative economy.

St. Lou Fringe was incorporated as a non-profit in the state of Missouri in November 2011.

To follow our journey through Fringeland, check out our blog.

www.stlfringe.blogspot.com


What’s The Fringe?
 
“Very generally speaking, Fringes are…

Focused on the performing arts: Theater, dance, puppetry, spoken word and the like make up the Fringe core, but festivals often may include film and visual arts elements. Fringes don’t have a focus on a single discipline or genre, but are a performing-arts smörgåsbord
Uncensored: No one gets too fussy about swears or nudity but squeaky-clean content isn’t marginal or discouraged, either
Easy to participate in: Ticket prices are low for audiences and production fees are low for artists…[productions are] generally quite open to participation by the gamut of amateurs to professionals
Festivals: They last from just a few days to a few weeks and involve boatloads of people at multiple venues
Original: Fringes feature a huge array of original material—sometimes by design, but usually because that’s what Fringes naturally do well
Rapid-fire: Typically, tech is minimal and time is a factor at our festivals. Shows are often kept brief (Fringes most frequently have shows right around 60 minutes in length) and technical requirements kept simple (minor sets, streamlined cues, nothing elaborate)

It all started in 1947 in Edinburgh, Scotland, as an alternative festival that played concurrently with the Edinburgh International Festival. In 1948, Robert Kemp, a local journalist, gave it the name Fringe: “Round the fringe of official Festival drama, there seems to be more private enterprise than before…” 
-United States Association of Fringe Festivals

The Canadian Association of Fringe Festivals states that Fringes “…provide all artists, emerging and established, with the opportunity to produce their play no matter the content, form or style and to make the event as affordable and accessible as possible for the members of the community.”
What’s The Fringe?
 
“Very generally speaking, Fringes are…
  • Focused on the performing arts: Theater, dance, puppetry, spoken word and the like make up the Fringe core, but festivals often may include film and visual arts elements. Fringes don’t have a focus on a single discipline or genre, but are a performing-arts smörgåsbord

  • Uncensored: No one gets too fussy about swears or nudity but squeaky-clean content isn’t marginal or discouraged, either

  • Easy to participate in: Ticket prices are low for audiences and production fees are low for artists…[productions are] generally quite open to participation by the gamut of amateurs to professionals

  • Festivals: They last from just a few days to a few weeks and involve boatloads of people at multiple venues

  • Original: Fringes feature a huge array of original material—sometimes by design, but usually because that’s what Fringes naturally do well

  • Rapid-fire: Typically, tech is minimal and time is a factor at our festivals. Shows are often kept brief (Fringes most frequently have shows right around 60 minutes in length) and technical requirements kept simple (minor sets, streamlined cues, nothing elaborate)

It all started in 1947 in Edinburgh, Scotland, as an alternative festival that played concurrently with the Edinburgh International Festival. In 1948, Robert Kemp, a local journalist, gave it the name Fringe: “Round the fringe of official Festival drama, there seems to be more private enterprise than before…” 

-United States Association of Fringe Festivals

The Canadian Association of Fringe Festivals states that Fringes “…provide all artists, emerging and established, with the opportunity to produce their play no matter the content, form or style and to make the event as affordable and accessible as possible for the members of the community.”

St. Lou Fringe feeds your fancy.
 The St. Lou Fringe Festival is a 5-day long immersion in cutting edge performing arts, connecting brave artists with bold audiences.        Imagine popping into several shows of your choice in downtown St. Louis, ranging from traditional to experimental theater, from Shakespeare to musical theater, but also including dance, movement, improv, music, voice, slam/spoken word, performance art, fashion, vaudeville, burlesque, mime, clowning, circus arts, - all concentrated within several city blocks.        Passionate artists from around St. Louis and the country will converge to create a fully immersive and explosive pressure cooker of artistic expression. On any given night, there are half-a-dozen shows on rotating schedules with street performers (or “buskers”) roaming the festival grounds, entertaining crowds with fire dancing, aerial arts, music, poetry, guerrilla theater, urban break-dancing, capoeira juggling, comedy, street improv,or anything else one’s heart desires. Patrons can vote for their favorite shows but will never be able to see everything the festival offers.        A minimal admission fee at Festival Headquarters will give a patron a Button Pass and a Schedule/Map to see as many as a hundred different performances by varied artists within a 3-4 block radius over the course of a long weekend. St. Lou Fringe Festival will blossom a humble St. Louis street into a creative hotspot destination within the city, and will open the eyes of St. Louisans to a wealth of undiscovered local talent, new work from national companies, new art forms, and the limitless world of creative possibility.
__________________________________  ________  __________ ___
How To Fringe3 easy steps.
Step 1: Buy Button.The Fringe button is your all-access pass to every show and event that the Festival has to offer, and more.
For a minimum donation of $4, you can purchase tickets to any Fringe show, get free entrance to the Fringe parties, and get discounts from local Fringe Friendly companies.  The button system allows us to put on the festival and still return 100% of ticket sales to artists.
Buttons can be purchased at Fringe Central and at select Fringe Friendly locations prior to or at the festival, or online.
No Button? No Show Entry.  No Exceptions.  No Dice.
Step 2: Get Your Tix.Peruse the 30 performance descriptions, check out what’s playing at each of our three Fringe Venues, and pick your poison.  Artists price their own shows, so ticket prices vary but are never more than $12.  Doors open 30 minutes before showtime.  Tickets can be purchased at Fringe Central, at the venue, or online.  One ticket per button.  Because of the nature of ticket sale returns to artists, no package deals are available at this time.  No refunds after the show begins.
Step 3: Rock the Fringe.Vote for your favorite shows, bring friends to the ones you like and enemies to the ones you hate, and have a ball.  That’s what it’s all about, after all.
Want even MORE Fringe?100+ shows, 3 venues, and a couple city blocks just ain’t enough for ya?  If you just can’t get enough of the juice, come hang out at Fringe Central, grab some grub in the Food Truck Lot, or check out the Fringe-de-Fringe street performances and sideshow venues throughout the district.
Why Fringe?It’s just a good thing to do. Fringe by nature fosters independent artists, exposes audiences to new work, stimulates economic growth and supports the creative community. By making performing arts visible, available and affordable, the festival supports local arts year-round. St. Lou Fringe serves our community by connecting the brave and the bold: artists, audiences, businesses and civic organizations.

St. Lou Fringe feeds your fancy.

 The St. Lou Fringe Festival is a 5-day long immersion in cutting edge performing arts, connecting brave artists with bold audiences.
       
Imagine popping into several shows of your choice in downtown St. Louis, ranging from traditional to experimental theater, from Shakespeare to musical theater, but also including dance, movement, improv, music, voice, slam/spoken word, performance art, fashion, vaudeville, burlesque, mime, clowning, circus arts, - all concentrated within several city blocks.
       
Passionate artists from around St. Louis and the country will converge to create a fully immersive and explosive pressure cooker of artistic expression. On any given night, there are half-a-dozen shows on rotating schedules with street performers (or “buskers”) roaming the festival grounds, entertaining crowds with fire dancing, aerial arts, music, poetry, guerrilla theater, urban break-dancing, capoeira juggling, comedy, street improv,or anything else one’s heart desires. Patrons can vote for their favorite shows but will never be able to see everything the festival offers.
       
A minimal admission fee at Festival Headquarters will give a patron a Button Pass and a Schedule/Map to see as many as a hundred different performances by varied artists within a 3-4 block radius over the course of a long weekend. St. Lou Fringe Festival will blossom a humble St. Louis street into a creative hotspot destination within the city, and will open the eyes of St. Louisans to a wealth of undiscovered local talent, new work from national companies, new art forms, and the limitless world of creative possibility.

__________________________________  ________  __________ ___

How To Fringe
3 easy steps.

Step 1: Buy Button.
The Fringe button is your all-access pass to every show and event that the Festival has to offer, and more.

For a minimum donation of $4, you can purchase tickets to any Fringe show, get free entrance to the Fringe parties, and get discounts from local Fringe Friendly companies.  The button system allows us to put on the festival and still return 100% of ticket sales to artists.

Buttons can be purchased at Fringe Central and at select Fringe Friendly locations prior to or at the festival, or online.

No Button? No Show Entry.  No Exceptions.  No Dice.

Step 2: Get Your Tix.
Peruse the 30 performance descriptions, check out what’s playing at each of our three Fringe Venues, and pick your poison.  Artists price their own shows, so ticket prices vary but are never more than $12.  Doors open 30 minutes before showtime.  Tickets can be purchased at Fringe Central, at the venue, or online.  One ticket per button.  Because of the nature of ticket sale returns to artists, no package deals are available at this time.  No refunds after the show begins.

Step 3: Rock the Fringe.
Vote for your favorite shows, bring friends to the ones you like and enemies to the ones you hate, and have a ball.  That’s what it’s all about, after all.

Want even MORE Fringe?
100+ shows, 3 venues, and a couple city blocks just ain’t enough for ya?  If you just can’t get enough of the juice, come hang out at Fringe Central, grab some grub in the Food Truck Lot, or check out the Fringe-de-Fringe street performances and sideshow venues throughout the district.

Why Fringe?
It’s just a good thing to do. Fringe by nature fosters independent artists, exposes audiences to new work, stimulates economic growth and supports the creative community. By making performing arts visible, available and affordable, the festival supports local arts year-round. St. Lou Fringe serves our community by connecting the brave and the bold: artists, audiences, businesses and civic organizations.


St. Lou Fringe serves your art of choice.


Theatrical performers (actors, playwrights, directors, technicians)


Singers and musicians

Dancers

Performance artists (movement, spoken word, slam)

Stand-Up and improv comedy
Vaudeville (circus, burlesque, mime, clowning)
Fashion and design

Young Audience Performers


Buskers

…yeah.  We want you.

 St. Lou Fringe proudly supports self-producing artists’ growth and potential for success.  100% of proceeds is returned to artists (60% to performing artists and 40% to supporting artists).  Festival producers do not receive any royalties from future performances.
St. Lou Fringe provides unbiased support to all self-producing artists.  In order to do so, STLF does not make any determinations based on content.  Selections are entirely uncensored and unjuried.  Productions are selected on a first-come, first-served basis.  Applications must be filled out correctly and completely to be considered.
 Performance submissions must follow these guidelines:


Performances no longer than 50 minutes


Tech that can be reasonably accommodated


Production fees, if any, (royalties, AEA performance contracts, etc) are the personal cost of the producing artist


Applications accepted no earlier than January 15 and due no later than March 15, 2012


 How it works:

1. You apply. You don’t even have to know for sure what your show is…just that you’re going to commit to doing one. The first 30 applications are accepted (20 local acts, 10 out-of-towners).
2. You decide how many shows: 
   -Two shows for $85
   -Three shows for $115
   -Four shows for $150
                 **Production cost due within five days of your official notice of acceptance into the festival.**
 3.You do your thang, and walk away with 60% of ticket sales at the door.

What does the production fee get you?

Festival branding and marketing/publicity
Performance space, including tech, for 2-4 performances over a 4 day period
Professional staff, house managers, and technicians
Additional benefits for participating productions (discounted access to other productions, access to private parties and events, etc)
A majority of ticket sales at the door

Performance space will be assigned based on technical needs, and lottery if necessary.
Special needs and accommodations will be considered, are addressed professionally, and may be discussed with Festival staff at any time.
St. Lou Fringe serves your art of choice.
  • Theatrical performers (actors, playwrights, directors, technicians)
  • Singers and musicians
  • Dancers
  • Performance artists (movement, spoken word, slam)
  • Stand-Up and improv comedy
  • Vaudeville (circus, burlesque, mime, clowning)
  • Fashion and design
  • Young Audience Performers
  • Buskers

…yeah.  We want you.

 St. Lou Fringe proudly supports self-producing artists’ growth and potential for success.  100% of proceeds is returned to artists (60% to performing artists and 40% to supporting artists).  Festival producers do not receive any royalties from future performances.

St. Lou Fringe provides unbiased support to all self-producing artists.  In order to do so, STLF does not make any determinations based on content.  Selections are entirely uncensored and unjuried.  Productions are selected on a first-come, first-served basis.  Applications must be filled out correctly and completely to be considered.

 Performance submissions must follow these guidelines:

  • Performances no longer than 50 minutes
  • Tech that can be reasonably accommodated
  • Production fees, if any, (royalties, AEA performance contracts, etc) are the personal cost of the producing artist
  • Applications accepted no earlier than January 15 and due no later than March 15, 2012

 How it works:

1. You apply. You don’t even have to know for sure what your show is…just that you’re going to commit to doing one. The first 30 applications are accepted (20 local acts, 10 out-of-towners).

2. You decide how many shows: 

   -Two shows for $85

   -Three shows for $115

   -Four shows for $150

                 **Production cost due within five days of your official notice of acceptance into the festival.**

 3.You do your thang, and walk away with 60% of ticket sales at the door.

What does the production fee get you?

  • Festival branding and marketing/publicity
  • Performance space, including tech, for 2-4 performances over a 4 day period
  • Professional staff, house managers, and technicians
  • Additional benefits for participating productions (discounted access to other productions, access to private parties and events, etc)
  • A majority of ticket sales at the door

Performance space will be assigned based on technical needs, and lottery if necessary.

Special needs and accommodations will be considered, are addressed professionally, and may be discussed with Festival staff at any time.

You can print and email the STLF application  or conveniently apply online to the form below.  Applications are now open.  Deadline is March 15, 2012.

UPDATE: We currently have a waitlist for our *local slots.*  Applications are still being processed in the order they are received.  Artists are welcomed to submit an application to be placed on the waitlist,  We’ll also be providing information soon about Fringe d’ Fringe performances and street-level acts.  *Openings remain for a limited number of national acts.*

Call 314/643-STLF or email us at buzz@stlfringe.com with questions, yo.

Break Through Season       June 21-25, 2012

in partnership with Grand Center and the Locust Business District

CLICK the images to see more.

Click here to read the article about us in the St. Louis Beacon.

And here to read about us in the St. Louis Post-Dispatch.

And here to read about us on Stage Door St. Louis.

Click here to visit our f’bk page.

Flutter us on twitter @StLouFringe

*break through the status quo*

The St. Lou Fringe is a member of the  United States Association of Fringe Festivals.
Click the logo to check it out.

The St. Lou Fringe is a member of the United States Association of Fringe Festivals.

Click the logo to check it out.

Our fabulous sponsors and partners.

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